Creative visual thinking is fundamental to us all as human beings as we strive to understand our sense of self and the world. Chartwell seeks to deepen understanding about the importance of art and creative thinking for our future and our wellbeing.
Chartwell is an explorer of the visual world. We want to know more about how and what we see. When both the eye and the mind are active, the creative process opens to the artist and viewer. The Chartwell Collection provides the viewer many examples of creative visual thought in action.
Chartwell supports artists as they make and think. Making is an active and connected process, involving the interaction of intention, intuition and intellect with the mediums of the world. Chartwell is making too - making a difference through philanthropy and enabling access to creative activities and research.
Chartwell encourages everyone to think about art and the creative process with a commitment to drive an understanding about the significance of the visual arts to general creative thinking. We share a curiosity to know and learn more: an imaginative, ongoing investigation.
The Chartwell Trust was set up in the early 1970s by Robert Gardiner, CNZM, then a Hamilton businessman and accountant, as a charitable trust to realise Chartwell's vision for wider access to and deeper understanding of creative visual thinking.
The Chartwell Collection was established in 1974 as a privately managed public collection. It was a new model for its time in New Zealand. From the beginning, all acquisitions went immediately into public gallery care and use. With its first home at the Waikato Museum of Art and History, by 1982, Chartwell had opened the Centre for Contemporary Art in Hamilton to house the growing collection. Fifteen years later, the Collection moved to Auckland Art Gallery Toi o Tāmaki on long-term loan, where it can still be seen today.
We want everyone to know more about seeing and thinking... through collecting, supporting, researching and advocating for the visual arts and creative thinking as a process.
As a New Zealand registered charitable trust, the Chartwell Trust has a board of trustees with extensive experience in the visual arts, public gallery partnerships, visual arts philanthropy, publishing, education and related research, charitable art projects, governance matters, financial and legal experience. It works closely with public art gallery professionals, curators, writers and academics to deliver impactful programmes centred around access for all to knowledge of the creative mind. All policies are orientated towards cultural and community services.
In 2020, the Chartwell Project continues its commitment to help our community see and understand the processes of visual art making and the nature of the creative mind. We are proud to support and activate the education sector, artists and researchers, complement our public art gallery spaces, collections and exhibitions - and we ultimately hope to realise the potential for everyone's creative sense-based thinking.
We are advocates for participation in making and understanding art as a process, as action with intention and fulfilment. The deep impulse to make and create defines us as human beings and energises all aspects of the personal and communal. Important to us too is the context of seeing and the power of empathy, as we mirror the world around us.
In a marrying of making and knowledge, Chartwell's activities and projects are divided into four key domains - Being, Seeing, Making and Thinking. This website is our 'gallery without walls.' Here, you can access Chartwell Collection artists, works in the collection, recent acquisitions, exhibitions, research and philosophical writings, and a sampling of the other projects we support. We hope too, that you will explore our social change ambitions - to learn and work, think and empathise creatively in broader domains beyond art itself.
“The Chartwell Trust is committed to more than the acquisition of contemporary art as an end in itself. It is about making those works coherent to others, making them work as part of a belief that contemporary art can fundamentally change how we think about and understand our place in the world.”
- Chris Saines, Former Director of Auckland Art Gallery Toi o Tāmaki, 1999